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Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for successive filmmakers, from Francois Truffaut to Alain Resnais.
……布尔格哈特·克劳斯纳,乔切·舒托夫,塞巴斯蒂安·布隆贝格,迈克尔·施内克,戈茨·舒伯特,劳拉·汤克,阿尔恩特·施韦林·索瑞,尼古拉·威尔,罗纳尔德·策尔费尔德